Anna Burnside reviews a production with a strong core idea that ‘needs some divine intervention to fulfil its potential’.
Anna Burnside reviews a production with ‘huge potential but needs more development’.
Anna Burnside reviews ‘an enjoyable night out’.
Anna Burnside reviews ‘a clear and provocative play’ that’s ‘energetically and thoughtfully staged’.
Anna Burnside reviews ‘a delightful, if dark’ production.
Anna Burnside reviews a ‘delightful little miniature’ with a ‘crisp, hard-working script.’
Anna Burnside reviews a production with ‘some poignant moments but there’s also some extraneous flouncing around’.
Scott Purvis-Armour reviews a ‘pacey’ new production with ‘thoughtful’ moments of staging.
Anna Burnside reviews a production that proves to be ‘a lot of fun’.
Anna Burnside reviews a new production of the classic play.
Michael Cox reviews a production ‘willing to do anything for a laugh’.
Anna Burnside reviews an ambitious production.
Michael Cox reviews the theatrical adaptation of the beloved crime series, finding it to be ‘a delightful watch’.
Anna Burnside reviews a production that ‘looks astounding’ but lacks ‘any sense of jeopardy’.
Anna Burnside reviews a production ‘full of charm and observation’.
Anna Burnside reviews the tour of acclaimed choreographer Matthew Bourne’s latest adaptation.
Anna Burnside reviews a production that is ‘the perfect mix of uplifting and funny.’
Anna Burnside reviews ‘a festive delight.’
Anna Burnside reviews ‘a brilliantly judged piece of work.’
Anna Burnside reviews a production that can best be described as ‘vintage McKnight.’
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