Anna Burnside reviews a solid production with concepts that throw it off balance.
Anna Burnside reviews a production ‘saved by some sharp writing’.
Michael Cox reviews a production ‘that means well and offers an emotional journey with pure intent’.
Anna Burnside reviews a production with ‘much to enjoy’.
Anna Burnside reviews the ‘lush Scottish Opera revival of Opera Wales’ 2022 triumph’.
Scott Purvis-Armour reviews ‘a show full of soul and sole which nonetheless limps a little.’
Scott Purvis-Armour reviews a modern classic ‘which constantly delights’.
Santi Parra-Whitehead reviews ‘a gripping ride’.
Anna Burnside, with contributions by Isobel Madonia and Tess Syed-Tollan, review PACE Theatre’s latest panto.
Anna Burnside begins a new series of reviews by mentoring Strathclyde University students. This first review has contributions from Rosie Bell, Nathan Breen, Santiago Parra-Whitehead, Madeline Watson.
Anna Burnside reviews ‘a delightful, if gentle, festive night out.’
Anna Burnside enjoys Johnny McKnight’s latest Christmas offering.
Michael Cox reviews Pitlochry Festival Theatre’s ‘wonderful production’ of a timeless classic.
Anna Burnside reviews a production that ‘is a great subject for a play’ but misses the mark.
Anna Burnside reviews a ‘pretty thin’ offering from A Play, A Pie and A Pint.
Michael Cox reviews ‘an absolute joy’ of a production ‘that has its heart in the right place.’
Scott Purvis-Armour reviews a ‘barking night out’ that ‘wags with energy.’
Anna Burnside reviews ‘a delight’ that suffers from some plot gaps.
Anna Burnside reviews the cultural behemoth’s most recent Scottish stop.
Anna Burnside reviews a production of the classic American play that is almost perfect.
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