Anna Burnside reviews a ‘fresh and relevant’ production.
Anna Burnside reviews ‘a delightful and faithful production skilfully performed and beautifully staged’.
Anna Burnside reviews a production that ‘looks astounding’ but lacks ‘any sense of jeopardy’.
Anna Burnside reviews Scottish Opera’s revival of its 2017 production of the much-celebrated opera.
Anna Burnside reviews a disappointing production that has some interesting visuals.
Anna Burnside reviews an impressive production with ‘visual fireworks’.
Anna Burnside reviews ‘a frothy delight’.
Anna Burnside reviews the ‘lush Scottish Opera revival of Opera Wales’ 2022 triumph’.
Anna Burnside reviews a production filled with excellent performances that proves to be ‘as much fun as it’s possible to have on a red velvet seat.’
Anna Burnside reviews a performance that ‘offers much to love’ for those who ‘enjoy opera as a spectacle.’
Anna Burnside reviews a 'brilliantly judged' production filled with clever staging.
Anna Burnside reviews 'a gorgeous, moving performance' of the famed opera.
Michael Cox reviews As Far As Possible, Dimanche and The Threepenny Opera.
Michael Cox reviews 'an excellent production'.
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Michael Cox reviews a production that's 'fun, but isn't the blast of creativity it seems to think it is'.
Ashling Findlay-Carroll reviews 'a punk opera' version of a classic tale.
Michael Cox reviews a production 'with much to be admired and enjoyed'.
Lorna Irvine reviews the 'wonderful' new production from Scottish Opera.
Michael Cox reviews Molly Wobbly's Tit Factory, Clinton the Musical, The Blanks' Big Break and Dr Quimpugh's Compendium of Peculiar Afflictions.
Michael Cox finds much to like in a production that finished all too soon.
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