Anna Burnside reviews a performance that ‘offers much to love’ for those who ‘enjoy opera as a spectacle.’
Anna Burnside reviews a deconstruction of the classic play that proves to be ‘an uplifting experience.’
Anna Burnside reviews a performance of magical realism that works well.
Anna Burnside reviews a set from ‘an impressive performer.’
Anna Burnside reviews a production ‘with a mixture of breathless urgency and dry wit.’
Michael Cox responds to the Edinburgh International Book Festival event--and to an acclaimed production from last decade.
Scott Purvis-Armour reviews a witty yet uneven production that’s still ‘a quintessential Fringe experience.’
Michael Cox reviews the latest production by the acclaimed company Sh!t Theatre.
Michael Cox reviews an essential and moving performance.
Michael Cox reviews a poetry performance 'with much worth listening to.'
Scott Purvis-Armour reviews 'an essential Fringe experience.'
Anna Burnside reviews a strong production 'with musicality and atmosphere.'
Anna Burnside reviews a stand-up set 'with big ideas' that are underdeveloped.
Anna Burnside reviews a set from 'a likeable performer'.
Anna Burnside reviews 'an ambitious and worthwhile piece of work.'
Anna Burnside reviews 'a masterclass in tackling trauma with drama.'
Anna Burnside reviews a production that impresses fans and non-fans of musicals alike.
Anna Burnside reviews a 'cleverly self-deprecating' set.
Anna Burnside reviews a production 'with so much to enjoy.'
Michael Cox reviews that latest immersive audio-experience from Darkfield.
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