Anna Burnside reviews a 'sparkling adaptation' of the classic romantic tale.
Virginia Gay, the writer and performer of this sparkling adaptation of Edmond Rostand’s classic, is so charismatic and delightful that it’s hard to imagine anyone failing to fall for her. Yet she is totally believable as the poet who believes she is too hideous to deserve love.
Roxanne is a sparky young black woman with appetites. Christian is a muscle-bound east Londoner whose talents do not go beyond looking good in a vest.
There is also a supporting chorus of three who bring comic texture as well as an unexpected late development not foreseen by Rostand.
For most of the show, Gay’s adaptation leaves plenty of room for individual interpretation. Does Cyrano feel unlovable because of her nose or is it because she is gay in a homophobic world? Or is it a more general lament that, when it comes to attraction, physical perfection beats poetry every time?
The ending, which is not what Rostand had in mind, suggests where Gay’s own heart lies.
My takeaway is that the hottest thing you can be is funny, articulate and smart. No wonder this show spoke to my soul.
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Cyrano performs at the Traverse Theatre until August 25. For specific performance times, check the theatre website.
Photo by Mihaela Bodlovic.
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